Analytical writings & Lectures: (selection)

• Timbre and Formal Configuration (psycho-acoustic aspects and structural analysis depending on timbre; relationships with painting and analysis of works by Beethoven, Brahms, Bartók, Boulez, G. Crumb, A. Webern, C. Guinovart...etc.)
  Doctoral dissertation , Universitat Autónoma de Barcelona
  
  
• Analysis of construction and problems of the "academic" transcription on Misteri d'Elx: Deu vos salve Verge imperial. (manuscript of 1709).
  Lecture for the Universitat Autónoma de Barcelona
  
  
• Analysis and methodological proposal of research:
  Iudicii Signum (Sybil's Chant) around Europe.
  Lecture for the Universitat Autónoma de Barcelona
  
  
• Antonio de Cabezón
  Analysis of "Las Diferencias sobre el canto llano del Caballero"
  (Formal construction and baroque churches' reverb: it's consequences in counterpoint)
  Lecture for the Universitat Autónoma de Barcelona
  
  
• A little study around Bach's rhetoric
  Lecture for the Centro Superior de Investigaciones
  Científicas. CSIC. Barcelona
  
  
• Bela Bartók. Analysis of the "5th String Quartet".
  Lecture for the Conservatori Superior Municipal
  de Música de Barcelona
  
  
• Anton Webern. Analysis of the "Symphony Op. 21".
  Double Lecture for the Conservatori Superior Municipal
  de Música de Barcelona
  
  
• "Strategy and viscerality in Composition:
  Analysis of the 6th Symphony (Tchaikovsky)"
  Lectures for the Universitat de Girona
  
  
• Iannis Xenakis. Aesthetics & Biography.
  Lecture for the Conservatori Superior del Liceu de Barcelona
  
  

• Iannis Xenakis. His electroacoustic works.
  Class for the Conservatorio Superior de Aragón.
  

• Iannis Xenakis. Analytic study of the "sound object"
  through his orchestral works.
  Clase (en 9 horas) para el Conservatorio Superior de Aragón.

• Iannis Xenakis. ST10 / ST 4 / ST 48.
  The first pieces composed with the help of computers
  Class for the Conservatorio Superior de Aragón.

• Alban Berg. Analysis of the Concert for Violin
  Class for the Conservatorio Superior de Aragón.

• Pierre Boulez. Fields of Frequencies
  Analysis through "Le marteau sans maître"
  Class for the Conservatorio Superior de Aragón.

• Pierre Boulez. Eclat.
  Study of an opened-controled structucture
  Class for the Conservatorio Superior de Aragón.

• Pierre Boulez. Dérive I.
  Convolution and transformation of an original sonority
  within the time flow.
  Class for the Conservatorio Superior de Aragón.

• Pierre Boulez. Notations para Piano.
  Different compositive solutions of a serial thinking
  Class for the Conservatorio Superior de Aragón.

• Pierre Boulez. Notations I, VII, IV, III, II for Orchestra
  Analysis of ramification-growing pieces
  (The influence of electroacoustics procedures)
  Class for the Conservatorio Superior de Aragón.

• Pierre Boulez. Incises     vs.      ... sur incises...
  Analysis of the works and the tree-growing compositive procedures
  Class for the Conservatorio Superior de Aragón.

• Pierre Boulez. Rituel in memoriam Bruno Maderna
  Analysis of the growing-form development
  Class for the Conservatorio Superior de Aragón.

• Pierre Boulez. Memoriel
  The procedures of permutation in composition
  Class for the Conservatorio Superior de Aragón.

• Sylvano Bussotti. La Passion selon Sade / Tableaux vivants / Solo
  Analysis. The notation of a guided freedom.
  Multiple perspectives of the sound materials
  Class for the Conservatorio Superior de Aragón.

• Morton Feldman. Coptic Light for Orchestra
  Analysis of the work & relations with other artistic techniques
  Class for the Conservatorio Superior de Aragón.

• Joan Guinjoan. Díptic
  Analysis of construction and its relationship
  with the rehearsal techniques.
  Class for the Conservatorio Superior de Aragón.

• Roman Haubenstock-Ramati. Cantando / Jeux 4 / Interpolations /
  Rounds / Liasons / The moon is still blue / Cathedrale I & II
  Movilidad formal y construcción poliédrica
  Class for the Conservatorio Superior de Aragón.

• Magnus Lindberg. Corrente for Ensemble
  Metric modulations and form structuration.
  The concept of algoritmic structuration.
  Class for the Conservatorio Superior de Aragón.

• Hanspeter Kyburz. Noesis for Orchestra
  Analysis and algoritmic structure
  Class for the Conservatorio Superior de Aragón.

• Bruno Maderna. Serenata no. 2
  Italian Lirism and the pre-composition work
  Class for the Conservatorio Superior de Aragón.

• Olivier Messiaen. Mode de valeurs et d'intensités
  Freedom and organization working together
  Class for the Conservatorio Superior de Aragón.

• José M. Sánchez-Verdú. Machaut Architektur III
  Analysis of the sound space, compositive procedures
  and sound color structuration
  Class for the Conservatorio Superior de Aragón.

• José M. Sánchez-Verdú. Qasid 7
  Analysis of compositive processes and formal structuration
  Class for the Conservatorio Superior de Aragón.

• Arnold Schönberg. Pierrot Lunaire
  Estudio histórico del "Melodrama" desde el siglo XVIII hasta el XX.
  Análisis y consecuencias históricas de la obra.
  Class for the Conservatorio Superior de Aragón.

• Karlheinz Stockhausen. Kreuzspiel
  Serial Analysis: Form and processes in the sound space
  Class for the Conservatorio Superior de Aragón.

• Karlheinz Stockhausen. Gesang der Jünglinge
  The precompositional work (I)
  Class for the Conservatorio Superior de Aragón.

• Karlheinz Stockhausen. Points. Groups. Masses
  The precompositional work (II)
  Kontra-Punkte, Gruppen, Zeitmasse
  Class for the Conservatorio Superior de Aragón.

• Igor Stravinsky. Symphonies for wind instruments
  Class for the Conservatorio Superior de Aragón.

• Edgar Varése. Octandre
  Análisis estructural y sintaxis de un visionario
  Clase para el Conservatorio Superior de Aragón.

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