

Analytical writings & Lectures: (selection)
Iannis Xenakis.
His electroacoustic works.
Class for the Conservatorio
Superior de Aragón.
Iannis Xenakis.
Analytic study of the "sound object"
through his orchestral works.
Clase (en 9 horas) para
el Conservatorio Superior de Aragón.
Iannis Xenakis.
ST10 / ST 4 / ST 48.
The first pieces composed with the help of
computers
Class for the Conservatorio
Superior de Aragón.
Alban Berg.
Analysis of the Concert for Violin
Class for the Conservatorio
Superior de Aragón.
Pierre Boulez.
Fields of Frequencies
Analysis through "Le marteau sans maître"
Class for the Conservatorio
Superior de Aragón.
Pierre Boulez.
Eclat.
Study of an opened-controled structucture
Class for the Conservatorio
Superior de Aragón.
Pierre Boulez.
Dérive I.
Convolution and transformation of an original
sonority
within the time flow.
Class for the Conservatorio
Superior de Aragón.
Pierre Boulez.
Notations para Piano.
Different compositive solutions of a serial
thinking
Class for the Conservatorio
Superior de Aragón.
Pierre Boulez.
Notations I, VII, IV, III, II for
Orchestra
Analysis of ramification-growing pieces
(The influence of electroacoustics procedures)
Class for the Conservatorio
Superior de Aragón.
Pierre Boulez.
Incises vs.
... sur incises...
Analysis of the works and the tree-growing
compositive procedures
Class for the Conservatorio
Superior de Aragón.
Pierre Boulez.
Rituel in memoriam Bruno Maderna
Analysis of the growing-form development
Class for the Conservatorio
Superior de Aragón.
Pierre Boulez.
Memoriel
The procedures of permutation in composition
Class for the Conservatorio
Superior de Aragón.
Sylvano Bussotti.
La Passion selon Sade / Tableaux vivants
/ Solo
Analysis. The notation of a guided freedom.
Multiple perspectives of the sound materials
Class for the Conservatorio
Superior de Aragón.
Morton Feldman.
Coptic Light for Orchestra
Analysis of the work & relations with
other artistic techniques
Class for the Conservatorio
Superior de Aragón.
Joan Guinjoan.
Díptic
Analysis of construction and its relationship
with the rehearsal techniques.
Class for the Conservatorio
Superior de Aragón.
Roman Haubenstock-Ramati.
Cantando / Jeux 4 / Interpolations
/
Rounds / Liasons / The moon is still blue / Cathedrale I & II
Movilidad formal y construcción poliédrica
Class for the Conservatorio
Superior de Aragón.
Magnus Lindberg.
Corrente for Ensemble
Metric modulations and form structuration.
The concept of algoritmic structuration.
Class for the Conservatorio
Superior de Aragón.
Hanspeter Kyburz.
Noesis for Orchestra
Analysis and algoritmic structure
Class for the Conservatorio
Superior de Aragón.
Bruno Maderna.
Serenata no. 2
Italian Lirism and the pre-composition work
Class for the Conservatorio
Superior de Aragón.
Olivier Messiaen.
Mode de valeurs et d'intensités
Freedom and organization working together
Class for the Conservatorio
Superior de Aragón.
José M. Sánchez-Verdú.
Machaut Architektur III
Analysis of the sound space, compositive procedures
and sound color structuration
Class for the Conservatorio
Superior de Aragón.
José M. Sánchez-Verdú.
Qasid 7
Analysis of compositive processes and formal
structuration
Class for the Conservatorio
Superior de Aragón.
Arnold Schönberg.
Pierrot Lunaire
Estudio histórico del "Melodrama"
desde el siglo XVIII hasta el XX.
Análisis y consecuencias históricas de la obra.
Class for the Conservatorio
Superior de Aragón.
Karlheinz Stockhausen.
Kreuzspiel
Serial Analysis: Form and processes in the
sound space
Class for the Conservatorio
Superior de Aragón.
Karlheinz Stockhausen.
Gesang der Jünglinge
The precompositional work (I)
Class for the Conservatorio
Superior de Aragón.
Karlheinz Stockhausen.
Points. Groups. Masses
The precompositional work (II)
Kontra-Punkte, Gruppen, Zeitmasse
Class for the Conservatorio
Superior de Aragón.
Igor Stravinsky.
Symphonies for wind instruments
Class for the Conservatorio
Superior de Aragón.
Edgar Varése.
Octandre
Análisis estructural y sintaxis de
un visionario
Clase para el Conservatorio
Superior de Aragón.
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