repertoire
Nacho de Paz, Dirigent
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Sein Repertoire ist umfangreich und reicht von den wichtigsten Werken der Klassik und Romantik (Haydn, Beethoven,
Mozart, Rossini, Donizzeti, Bellini, Mendelssohn, Brahms, Tchaikovsky ...etc.) bis zu zahlreichen Komponisten des 20. Jahrhunderts und der Avantgarde.
Repertoire von Komponisten des 20. und 21. Jahrhunderts
(Auswahl):
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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| .................................................................................................................................................. |
A |
|
Georges Aperghis |
Isaac Albéniz |
- Happy End (opera) |
- Evocación (Iberia) (orch. Arbós) |
- Avis de Tempete (opera) |
- Corpus Christi en Sevilla (Iberia)
(orch. Arbós) |
|
- Triana (Iberia) (orch. Arbós) |
|
- El Puerto (Iberia) (orch. Arbós) |
|
- El Albaicín (Iberia) (orch. Arbós) |
............................................................................................................................................. |
B |
|
Bela Bartók |
Alban Berg |
- The miraculous mandarin |
- Kammerkonzert |
- Concerto for Orchestra |
- Violinkonzert |
- Music for Strings, Percussion
& Celesta |
|
- The wooden prince |
|
- Duke Bluebeard 's Castle (opera) |
|
|
|
Luciano Berio |
Pierre Boulez |
- Folk Songs |
- Eclat |
- O King |
- Le marteau sans maître |
- Corale
- Circles |
- Rituel in memoriam
Bruno Maderna |
- Laborintus II |
- Originel (aus ...explosante-fixe...) |
- Canticum Novissimi Testamenti |
- Dérive 1 |
- Tempi Concertati |
- Dérive 2 |
| |
- Improvisation sur Mallarmé I |
|
- Improvisation sur Mallarmé II |
Jürg Birkenkötter |
- Memoriel |
- Getrennt - untrennbar |
- Notations I, VII, IV, III, II |
|
(assistant conductor) Spanish premiere |
|
- ...sur incises... |
Sylvano Bussotti |
(assistant conductor) Spanish premiere |
- The Rara Requiem
|
|
- La Passion selon Sade (opera)
Spanish premiere
|
|
- Silvano, Sylvano
Spanish premiere |
|
- I semi di Gramsci |
|
............................................................................................................................................. |
C |
|
John Cage |
Elliot Carter |
- Concert for piano |
- Concert for Orchestra |
|
- Triple Duo |
|
|
Agustín Charles |
Aaron Copland |
- Seven Looks |
- Appalachian Spring |
- Abdruck |
- Quiet City |
- About a Dark Summer |
- Music for Movies |
- Luna Muerta |
- Fanfare for the Common Man |
- Concierto para Piano y Orquesta |
|
- Concertino para Clarinete |
George Crumb |
- Enigmatic Vision |
- Ancient Voices of Children |
- Modular II |
|
- Unstable Surface
world premiere
(dedicated to Nacho de Paz) |
|
- Concierto para Orquesta |
|
- Concierto para Violoncello |
|
- La Cuzzoni (opera) |
|
............................................................................................................................................. |
D |
|
Claude Debussy |
Franco Donatoni |
- Prélude à l'aprés-midi d'un faune |
- Spiri |
- Jeux |
- Etwas ruhiger im Ausdruck |
- Nocturnes |
- Voci |
- La Mer |
- For Grilly |
- Danse - Tarantelle Styrienne |
|
|
Hugues Dufourt |
José Luis de Delás |
- Erewhon |
- La Profondeur de la Nuit |
|
- Umbra Vitae |
Pascal Dusapin |
|
- Hop |
Henry Dutilleux |
|
- Tout un Monde lontain |
|
- L'arbre de Songes |
|
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F |
|
| Manuel de Falla |
Morton Feldman |
- El amor brujo
- El sombrero de tres picos |
- Coptic Light
(assistant conductor) Portuguese premiere |
- Concierto para clave |
- Instruments 2 |
|
- For Samuel Beckett |
|
- The viola in my life 1 |
David Fennessy |
- The viola in my life 2 |
- The sound of the sea shell
is not the sound of the sea
|
- I met Heine on the
Rue Fürstenber |
| world premiere |
- For Frank O'Hara
|
|
- Neither (opera) |
............................................................................................................................................. |
G |
|
José García Román |
Joan Guinjoan |
- Notas para Pessoa |
- GIC 1979 |
- De Angelis
- La Chanson d'automne |
- Ab Origine
- Pantonal |
- De Civitate Aquae
- De Civitate Silentii |
- El Diari
French premiere
|
- Notas para Don Quijote |
- Trama |
- Ante las ruinas d'Oradour
sur Glane |
- Acta est Fabula
French premiere |
- Alma Redemptoris Mater |
- Díptic |
- Requiem
world premiere |
- In tribulatione mea
invocaci Dominum |
- Memoria de Cristal |
- Diferencias |
|
- Barcelona 216
- Concert pour Saxophone |
| |
French premiere |
| |
- Concierto para Fagot |
Francisco Guerrero |
- Concierto para Violín y Orquesta |
- Concierto de Cámara |
- Nexus |
- Vâda |
|
- Rhea |
|
|
Gerard Grisey |
| Heiner Goebbles |
- Périodes |
- Samplersuite |
- Partiels |
- Landschaft mit entfernten
Verwandten |
- Modulations
(assistant conductor) Spanish premiere
|
|
- Transitoires |
|
(assistant conductor) Spanish premiere |
|
- Epilogue |
|
(assistant conductor) Spanish premiere |
| |
- Talea |
| |
- Vortex Temporum I, II, III |
| |
- Quatre Chants pour
franchir le Seuil |
............................................................................................................................................. |
H |
|
Roman Haubenstock-Ramati |
Klaus Huber |
- Cantando
- Rounds
|
- L'âge de notre ombre
Spanish premiere |
- Jeux 2
- Jeux 4 |
- L'ombre de notre âge
Spanish premiere
|
- The moon is still blue |
|
- Act-if |
|
- Liasons |
|
............................................................................................................................................. |
I |
|
Félix Ibarrondo |
|
- Akaitz
Spanish premiere
|
|
- La gacela del adiós
(assistant conductor) Spanish premiere |
|
............................................................................................................................................. |
K |
|
György Kurtag |
|
- Messages de feu demoiselle
R.V. Troussova |
|
............................................................................................................................................. |
L |
|
Helmut Lachenmann |
György Ligeti |
- Klangschatten |
- Violinkonzert |
- Accanto
- Mouvement |
- Konzert für Violoncello
und Orchester |
|
- Atmospheres |
|
- Lontano |
Magnus Lindberg |
- Ramifications |
- Coyote Blues |
- Kammerkonzert |
- Corrente |
|
- Arena |
José Manuel López-López |
- Arena 2
Spanish premiere
|
- Viento de Otoño
- Movimientos |
- Related Rocks |
- Concierto para Violín |
|
- El arte de la siesta |
|
|
Roberto López |
|
- Iberia
world premiere
|
Witold Lutoslawski |
| |
- Jeux vénitiens |
| |
- Mi-parti |
| |
- Chain 2 |
| |
- Double Concerto (Oboe & Harp) |
|
- Five Songs |
............................................................................................................................................. |
M |
|
Bruno Maderna |
Philippe Manoury |
- Serenata no.2 |
- Passacalle pour Tokio |
|
|
Tomás Marco |
|
- Palacios de Al-hambra |
|
- Escorial |
|
- Campo de Estrellas |
|
............................................................................................................................................. |
N |
|
Vassos Nicolau |
Luigi Nono |
- Lie(a)n
world premiere
|
- Prometeo (tragedia del'ascolto)
Spanish premiere
|
| - Rituals |
- A Carlo Scarpa |
| world premiere |
- Y su sangre ya viene cantando |
- Rèflexions
German premiere
|
- Il canto sospeso
- Como una ola de fuerza y luz |
- Rèflexions 2 |
|
German premiere |
|
- Prisma |
|
- Kimata |
|
- Aconitum |
|
- Mfon |
|
............................................................................................................................................. |
O |
|
Gonzalo de Olavide |
|
- Ricercare |
|
............................................................................................................................................. |
P |
|
Luis de Pablo |
Hilda Paredes |
- Latidos |
- Recordare
Spanish premiere |
- Déjame hablar |
|
- Módulos I |
|
- Módulos III |
|
- Prosodia |
|
- Recado
World premiere |
|
|
|
Krzystof Penderecki |
Goffredo Petrassi |
- Threnody for the victims
of Hiroshima |
- Concerto per Orchestra no. 2
- Concerto per Orchestra no. 3 |
|
- Concerto per Orchestra no. 5 |
Alberto Posadas |
- Concerto per Orchestra no. 8 |
- Versa est in Luctum |
|
- Pri em hru |
|
- Ápeiron |
|
- Magma |
|
- Cripsis |
|
- Anamorfosis |
|
- Oscuro abismo de llanto y ternura |
|
............................................................................................................................................. |
R |
|
Steve Reich |
Silvestre Revueltas |
- The four sections |
- La noche de los Mayas |
- Music for eighteen musicians |
- Sensemayá |
- Variations for Winds, Strings
and Keyborads |
- Ventanas for Large Orchestra
- Homenaje a Federico García Lorca |
|
|
Ottorino Respighi |
Wolfgang Rihm |
- Antiche Danze ed Arie |
- Chiffre |
|
- Jagden und Formen |
Fausto Romitelli |
- In-Schrift |
- Amok Koma |
|
- Cupio Dissolvi |
|
- En Trance |
|
............................................................................................................................................. |
S |
|
Kaija Saariaho |
José M. Sánchez-Verdú |
- Solar |
- Giorno dopo giorno
Austrian premiere
|
| |
- Machaut-Architektur I-V |
| Carlos Satué |
- Qasid 7 |
- En los extremos
world premiere
|
- Paisajes del placer y de la culpa
- La Rosa y e Ruiseñor |
| - Líneas de fuerza |
|
| - Agregados |
|
| - Líneas de fuerza |
Arnold Schönberg |
| - Espacios intermedios |
- Variations for Orchestra, Op.31 |
| - Ex pluribus naturis |
- 5 Orchesterstücke, Op. 16 |
| - Laberinto de la noche |
- Kammersymphonie Nr.1 |
| - Sirma |
- Kammersymphonie Nr.2 |
| - Tiamat |
- Suite, Op. 29 |
| - Nisors |
- Pierrot Lunaire |
| - Ars motética - Ricercare |
- 3 kleine Orchesterstücke |
| - Teleos |
|
| - Concierto para clavicembalo |
Karlheinz Stockhausen |
|
- Gruppen
Spanish premiere
|
Igor Stravinsky |
- Kontrapunkte |
| - Sinfonies pour instruments à vent |
- Kreuzspiel |
| - La Sacre du Printemps |
- Zeitmasze |
| - Petrouschka |
|
| - L'oiseau de feu |
|
| - L'histoire du soldat |
|
| - Pulcinella-Suite |
|
- Monumentum pro Gesualdo di
Venosa ad CD annum |
|
| - Orpheus |
|
............................................................................................................................................. |
T |
|
| Toru Takemitsu |
|
| - Fantasma Cantos |
|
............................................................................................................................................. |
V |
|
Edgard Varèse |
|
| - Octandre |
|
| - Intégrales |
|
| - Ionisation |
|
| - Ameriques |
|
............................................................................................................................................. |
W |
|
Anton Webern |
|
| - Passacaglia, Op.1 |
|
| - 5 Sätze für Streichorchester, Op. 5 |
|
| - 5 Orchesterstücke, Op. 6 |
|
| - 5 Orchesterstücke. Op. 10 |
|
| - Symphonie, Op. 21 |
|
| - Concerto, Op. 24 |
|
| - Variationen, Op. 30 |
|
|
|
Kurt Weill |
|
| - Die Dreigroschenoper (opera) |
|
............................................................................................................................................. |
X |
|
Iannis Xenakis |
|
- ST/10,1 080262
Spanish premiere
|
|
- ST/48 |
|
- Eridanos |
|
- Metastaseis |
|
- Thalleïn |
|
- Shaar |
|
- Aïs |
|
- Jonchaies |
|
| - Empreintes |
|
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